ikfoundation.org
Promoting Natural & Cultural History
To own a substantial number of unbleached or white linen tablecloths in a Swedish nobility home, was a tradition with its roots in Medieval times. This group of interior textiles also represented an important part of the family linen storage and as a valuable heirloom – a practice that continued for several hundreds of years. The aim of this historical essay is to describe a well-preserved six-metre-long linen tablecloth dated “1789”, where the original owners belonged to families of barons and counts. Unfortunately, there are no clues as to who or where this tablecloth once was woven, but possibly at one of the leading linen weaving manufacturers in Sweden, such as Flor, Vadstena, or one of the early factories for such goods in Stockholm.
This fine tablecloth is woven in twill diaper with hand-spun linen thread in both the warp and weft; the regular pattern of the fabric was designed with an eleven centimetres wide contrasting border. As with all hand-loom or half-mechanised manufacturing of the time in Sweden, a tablecloth consisted of two widths and these pieces of fabric were sewn together with a middle seam. It must also be emphasised that a tablecloth of this size becomes heavy, which would lead to strenuous work for several of the servants employed to do the laundering of such a large linen.
A comparative study of linen tablecloths from the higher nobility of the period can, for example, be observed in my earlier research of a document originating from Christinehof Manor house in southernmost Sweden in 1758. This inventory included 41 linen tablecloths of various qualities, together with 539 napkins. The most complex design is described as ‘His Excellency’s Arms woven into…’ in ‘Damask diaper with 24 napkins’. Furthermore, ‘3 tablecloths and 18 napkins’ were registered of the same weaving technique. Additionally, it can be noted that the majority of the linen fabrics were marked with ‘C’ and the years ’54’, ’57’ or ’58’ [in the 1750s] referring to the tenant in tail, who at the time was Carl Fredrik Piper (1700-1770). Listed patterns in the inventory included ‘Night and Day motif ’, ‘The French rose’ and ‘Fortification pattern’ – all woven in variations of diaper or damask with geometric patterning and a wide border with contrasting designs. Just like the tablecloth dating from 1789 as discussed in this text. [Quotes in this section are translated from Swedish into English].
This tablecloth was a gift from my friend, the Ex-chief inspector for historical buildings & monuments, former Director of the IK Foundation Carl-Filip Mannerstråle (1924-2002), Araslöv 1992 (the tablecloth was inherited through several generations in his family).
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